Archive for February, 2008

Where drawings are made…

Thursday, February 28th, 2008

Just thought I’d show you where I draw and create nowadays. I moved into a comics studio at the end of December 2007, and I’ve been working here since 7 Jan. The studio houses 10 comic artists altogether.

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We’re situated in an old chocolate factory in Malmö called Mazetti-huset (”The Mazetti House”). Nowadays the buildning is devoted to culture, and in it you’ll find everything from film to music to comics and dance workshops, plus a restaurant and a club.

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Jimmy Wallin, the Head of Seriestudion (”The Comics Studio”) welcomes you to our place. Jimmy and me compete daily in who can drink the most coffee.

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The studio is like any crowded office space, but perhaps there are more cartoons and crazy projects going on here than what’s average. It’s very cosy. You should come and visit us!

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This is my own little corner of the studio. I started to feel at home immediately. Thanks to my window space I had somewhere to place my muppet figurines. Happy happy joy joy!

It feels much more like having “a real job” these days. Being able to go TO work, and more importantly LEAVING work, is a welcome change in daily routines.

Bamse in the future, BA #3/08

Tuesday, February 26th, 2008

The latest issue of Bamse features a definitive first for Bamse and friends: they travel to the future!

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© Rune Andréasson

Lille Skutt accidentally makes Skalman’s time machine take a quantum leap into the unknown, and suddenly the three friends find themselves back home, but twenty years ahead of their own time. Their beautiful valley has been destroyed by a mysterious toxic catastrophe. Horrified and heartbroken, the trio goes back to the present to try to stop the catastrophe from happening and save the valley.

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Mårten Melin and Susanne Adolfsson wrote this unusually scary and bold Bamse-story. I was delighted to be allowed to create both nightmarish scenes and exciting sneak-and-hide scenes in the chemical lab. Even the coloring artists seem to have picked up on the extraordinary qualities of the story, giving the toxic scenes dramatic skies and overlaying half-transparent veils of poisonous green.

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As always, having Kerstin Hamberg as inker is pure luxury. My drawings wouldn’t look half as good without her professional lines, as you can see on these above sketches. Note the periodic system on the wall of the lab. Sometimes the perfectionist devil in me makes me do horrible things…