Archive for May, 2010

Arabiska Barnserier – artikeln i sin helhet

Wednesday, May 19th, 2010

zakiyya&kaslan

För den intresserade, här kan man läsa Bild & Bubbla-artikeln om Arabiska Barnserier:

s 96-97

s 98-99

s 100-101

s 102-103

s 104-105

s 106-107

Trevlig läsning! :)

Arab children’s comics once more!

Monday, May 17th, 2010

BoB 2010 nr 182 - Arabiska barnserier_s96_small

BoB 2010 nr 182 - Arabiska barnserier_s97_small

A few weeks ago Bild & Bubbla #182 came out containing my first ever written article for the publication. This was the article I wrote in connection to the comics festival “I Seriernas Värld” in November 2009, in which I participated with an exhibition on Arab children’s comics. The article is based on an essay I wrote six years ago while studying Arabic at the University of Lund.

BoB 2010 nr 182 - Arabiska barnserier_s98_small

BoB 2010 nr 182 - Arabiska barnserier_s99_small

The article is 12 pages long, so until I find somewhere to put it in high res, you’ll have to do with just looking at the pictures. Until then, I can recommend Bild & Bubbla, a great magazine covering Swedish as well as international comcis. It’s published by Seriefrämjandet, the national association supporting comics in Sweden. The article is of course in Swedish. If anyone is prepared to pay me, I’ll be happy to translate the article into English. Or even Arabic. It’s a nice article. :)

BoB 2010 nr 182 omslag_small

The main theme of #182 is the 15th and last installment of Valhalla (after 30 years!) by the great great great Danish artist Peter Madsen. So there’s more than one reason to get your hands on Bild & Bubbla #182. To learn how to suscribe to this proud publication, visit the Seriefrämjandet web page.

Dialogue with Rich Quade

Saturday, May 8th, 2010

Wendy Balsom

Here’s the result of a 2 week dialogue course with Pixar animator Rich Quade. The voice belongs to Vincent Gallo, from the movie Buffalo 66.

Wendy Balsom from Andreas Qassim on Vimeo.

It has been two incredibly inspiring weeks. One reason is Rich’s amazing experience in the business. He was the fourth or fifth animator to be hired by Pixar in the early nineties. When he came aboard, preproduction of Toy Story was underway, but the company was still a small one, and 3D animation as we know it today was still in it’s cradle. Pixar’s amazing journey from the success of Toy Story and onwards, Rich has experiencced from within. He was Directing Animator on Toy Story, Supervising Animator on A Bug’s Life and Monsters Inc., and he animated on Finding Nemo, The Incredibles and Toy Story 3 (which will be out this summer).

The second reason was Rich’s lectures. He would go into detail about blinks, eyebrows, lip synching. But also about more abstract concepts like believability and timing, always with clarity, easy to understand. He’d demonstrate his points with video clips from mostly old movies, when acting tended to be more physical than today, discussing gestures and body language. He showed us examples of good animation (often from Pixar films), and bad animation (most often non-Pixar ones).

The third reason was his feedback on our work. He had this ability to immediately see what you were trying to do (after two or three viewings of the scene), analyze why it didn’t work, and suggest changes that would get you where you wanted. He was very generous with his time. He always had something useful to say, and he definately managed to get everyone to lift their scenes to another level.

Rich left for California early this morning. We miss him already. First thing on his schedule when he gets back: attend the wrapping party of Toy Story 3…